Instead of a preface
Blasphemy
Heaven on Earth
Atlen’s Labor
Death of the Worlds
Debunking the jewish myth of ritual prostitution
Debunking the myth of Lilith’s connection to the Lamia, Succubi and Incubi
Turning into a bird
The Fate of the Image of Lilith in Ancient Sumer, Babylon and Persia
The Weapon of Gods
The Phallus and the Yoni. Connection with Shakti
Connections to Hera
Aspects of Heroism and Unlocking the Gift
Connection to Metis
In Instead of an Afterword
Whether by her will or by the intent of her enemies, the original legends about her have not survived, and their material sources are not mentioned even by those who passed them on. In the unsaved accounts of the peoples who have forgotten her, she is known by the names:
Mistress of the Air – Sumerian
Night with the Moon – Sumerian
Hand of Inanna – Sumerian.
Beautiful Maiden – Assyrian
Cry of the Owl – Hebrew.
Spirit of the Wind– Babylonian.
There is information that she was personified by a temple maiden who bore the title “Maiden of the Air”, which I gather goes back to titles like “ Lady of all that flies” similar to some of the titles of her mystical consort. And further on I will see more confirmation of this in connection with her simply phenomenal association with birds. And this Maiden was supposedly engaged in spiritual practices with her sexual energy, since temples as we know were for spiritual practices and magic, not prostitution as the jews write on the internet.
There is only one legend worth reading, but its authenticity is hidden behind seven seals, a tablet that no one has ever seen, but which was supposedly translated by the poet Charles Moffat.
I did everything I could to find proof, even wrote to Charles Moffat asking him to share some source – a link or photo – of the Sumerian tablet from which he supposedly translated this legend, but to no avail. The roots about it have been erased, and there is virtually no information about it on the internet. So I will be left only to analyze this legend as it reached us in the work of this poet, as he said, changed and embellished, but believe me, even this is enough to clear it 90% from jewish defilement and to look into the vastness of its original meaning, which is immense, even if the poet put it as it is.
What, in contrast to this legend, is common in the general public domain about Lilith is mostly in the realm of jewish or late Babylonian blasphemy, worse than the former of which I confess I have not encountered in the whole history of my study of jewish blasphemy in general. Feminism is the ultimate blasphemy in general in any of its forms, and especially in its biblical form. When I go through the legend as I see it, you will see what I mean.
Further references to the Russian translation of Charles Moffat’s poem [free access because it is the translation of that Sumerian Tablet plot – use deepl translator for your language]:
https://lunaatra.org/articles/id/33/
Translation with rhyme:
https://stihi.ru/2016/03/29/549
http://www.stihi.ru/2016/04/01/5114
For the English original you have to buy it on the website of Charles Moffat:
http://poetry.charlesmoffat.com/
Often the phenomena of the visible world that have come down to us do not belong to the context in which they came down to us. For example, ancient polygonal structures throughout the South American continent are not related to the Mesoamerican civilizations we know from the records of missionaries and conquistadors. Moreover, they may be extremely distorted and do not appear in their true appearance. Thus, on polygonal foundations the Indians have superstructed their short-lived primitive masonry in such a way that the first glance mostly catches them, and the non-specialist and the uninterested may pass by certain fragments of evidence of a clearly non-Indian civilization.
This is roughly what we have with the legend of Lilith and that biblical abrahamic context in which the actual and the only known versions of this legend have come down to us.
I assume that the reader has familiarized himself with all the versions of this legend independently on the Internet, so that I may not expound on any of them, but only trace the dynamics.
The biblical story that pops up when we type in Lilith in a search, like, in fact, everything jewish, is so vulgar and obscene that it looks stolen and twisted from the Kama Sutra rather than the original legend, therefore, it’s not in the children’s bible. The fact is that Adam and his … “first wife” (and Adam had more than one wife, it’s a whole epic search for a wife) did not agree on the positions in which they to fulfill their basic instinct. What happened, and it’s written right in the jewish texts, is that supposedly they both wanted the same position, well, maybe they both didn’t have it any other way, but the point is that their preferences were mutually exclusive to successful intercourse. Adam refused to compromise, apparently the action without the pleasure didn’t appeal to him. Lilith argued that, in that sense, they had equal rights to pleasure, since they were both made of clay. The end was that she left him for another, presumably Satan (Satan was also brought into this pornographic story). And Adam, accordingly, found himself a new wife. The essence of the story boils down to the fact that the first jews did not need marriage without… you know what.
Then, since the Enlightenment, this legend has taken on a more sublime and less pornographic tone. Feminists “read” it as referring to legal and social problems rather than to problems of intimate incompatibility. Since the Abrahamic religions presupposed the complete deprivation of a woman’s human status, later authors considered this legend a non-biblical allegory of the fact that Lilith did not accept such a state of affairs in abrahamic society, which automatically by definition elevated her to the rank of an enemy of the god Abraham. The concessionary version of woman’s existence in the context of abrahamic religion was Eve. However, feminists put the blame on all men, as if forgetting that the context in which this legend reached them was extremely recent and biblical, and that in the original Ancient Pagan world, which goes back hundreds of thousands, maybe millions of years into the non-human divine depths, woman has never fundamentally differed in human status from man, and that exclusive context in which such a meaning of the legend could theoretically arise simply did not exist.
I can tell you that in that supposedly original Sumerian version, which I have familiarized myself with from Charles Moffat, simply by the logic of the legend itself there could be neither the first nor the second reading.
The original legend could not have an erotic context by definition, because there are no female mortal characters in it. Lilith, according to Moffat’s version, by definition cannot mate with a mortal, and such an attempt would end in the death of the latter before it was even consummated, and this is very reliably Demonstrated. While the contact with the Serpent is mentioned, but from the context and the continuation of the story I understood that it means working with Kundalini. You see, the stories about how Marilithu not only protect people from enemies, but also do all the hard work for them, i.e. creating a paradise life with lots of free time, all this reminds of the stories about elves, dwarves and all sorts of small folk who, if fed, will invisibly do all the work at night, so that their masters do not have to work hard. The fact that they are unusual creatures, half-human half-snakes, and their number, 216, also suggest the allegory of secret forces that solve problems for people, the good news is that all peoples’ fairy tales are full of them.
I, a little running ahead, I will tell that I consider all such legends about Marilithu and about small people, born from Serpents, as symbols of high technological and spiritual civilization, given to us by energy of the Serpent of Satan and abundant communications with our Gods, which allows the man to put heavy works on robots and mechanisms, and to be engaged only in creativity and in essence to live in paradise. And, again going forward, I will say that I consider the concept of paradise and the legends of paradise to be one of the few surviving remnants of our original ideas, and you will see why.
As for the legal context, it is also absolutely impossible, because, as I have already said, there are absolutely no female mortal heroes in this legend, and Lilith is a timeless, extra-dimensional Goddess, and her human status or equal status is not a matter of concern. This story just proclaims the inequality of Gods with people in its most excellent degree, as an immutable law of the universe, which many such legends have tried to convey in different ways.
Next I am going to start analyzing the legend itself, what it is about, and I am going to come back to what I mentioned and one of the most interesting things for me in this legend is the concept of paradise. Because I believe that this legend is about Paradise on Earth.
The most beautiful and mysterious allegory is that the Mother of Mothers also has a mother – and that mother is Mount Atlen. The word Atlen is supposedly an Egyptian word meaning Paradise. In fact, we all remember the name ATLAN-tis and the name of ATLANt holding Olympus on his shoulders, and realize that it is also a Hellenic word, and I gather that it goes back to the most ancient worlds and languages of the Gods, which is ancient Greek.
The Aztec word Aztlan also means paradise, and it is also an island in the ocean, but it is believed to be in the Pacific, because it is “in the West”. There is a legend of an island sunken in each of the oceans. But there is also the legend of paradise islands on the spine of the giant Fish, which I have often told about – this is an allegory of the Serpent. In the Nahuatl language, the word Azteca means “people from Aztlan.”
Atlantis was designed to be a paradise on Earth. In fact, Father Satan specialized in building paradises on planets: Phaeton, Atlantis, all were paradises for their human populations. This is a story about Satan’s dream to give his children a happy life (or where do you think it is in the blood of each of us), full of nothing but creativity and invention, while the routine menial work that everyone hates, like chores, factory work, war, monotonous and little to no intellectual work will be done by robots and mechanisms, perhaps including spiritual ones (Marilithu?).
The mountain has always been a symbol of ascent to divinity or to the height of civilization similar to the Gods, because all mountains traditionally rose from the level of the earth, the Middle World, rooting in the Lower World, and their peak reached the worlds of the Gods: Olympus, Meru, Kailash and many other mountains. In the depths of the mountains lived Gorynych Serpents and fabulous Dragons. On the tops of mountains have always lived Gods. Mountains have always been symbols of our potential. Just look at mountain tourism, even the way we talk about it: conquering the peaks.
And, as the myth of Prometheus says, these births of great worlds are always hard. The greatest tragedy of Satan and Lilith is not that a couple of perverts from the desert wrote shit about them on the fence, but that their dream of a happy life for their children is in some sense unrealizable, since in the universe nothing is born perfect, it becomes it. And it becomes in intolerable agony. Life itself is not the high-tech world of the Gods. I honestly can’t even imagine the pain of compassion of highly evolved beings having undergone eons of years of completely unimaginable suffering of their own, necessary to build that dream world we know only from legends, for the lower worlds just beginning their journey.
This dream and these aspirations of the butterfly bursting from its cocoon into the sky gave birth to Lilith, whose tears of compassion gave birth to life and made the burned planets inhabitable again. Turning to the image of Lilith herself, to show how wrong all this jewish pornography and later Babylonian blasphemy is, it must be said that throughout this story, it is the image of the infinite compassion of the Immortal Timeless Extraspatial Goddess whose Soul has passed more and knows more than those she is compassionate with have passed and know. She has compassion for their future, which she sees in all its infinity with all its deaths, because for her time does not exist. A great man once asked me if Gods suffer in worlds where suffering does not exist. And I answered and now, seeing this legend, I answer, yes, they suffer in ways we cannot understand. The higher a being is, the greater percentage of his suffering is compassion. In the Gods of Lilith’s status, it takes up 100% of their suffering, because in their own world there is no such thing as suffering in the primitive egocentric worlds’s sense.
And the reason for these unspeakable and bottomless tears of the Gods is given further in the legend, because in it we see the tragic fate of all these paradises on earth, which they created and will create, and which were built so long and in such agony – they were cursed and died from the catastrophes caused by the curse, leaving Lilith and the rest of the Gods to rescue and evacuate the survivors and try to build new worlds. And some of them did not return to life, resurrected by the tears of the Gods.
It is the story of the development, the flourishing, the pride of the Gods in their child… and their terrible and tragic destruction at the hands of their own darkness. It is the story of the solar system, and who knows how many other star systems that have fallen into eternal night with their unfortunate masters in their blind pursuit of absolute power.
The curse of Mount Atlen is the curse of an entire civilization, so titanically rebuilt. Titanic in the literal sense: the ATLANT is the titan that supports the heavens. The conquered labor of the titans is a symbol of our own uncomplaining and devoted labor to build a world worth living in. It is a symbol of labor for good, making Gods of men. And the destruction of such a world is a cosmic crime.
Below is retelling the plot of Moffat’s Russian translation. I think this is not copyright violation because since he says the tablet is original Ancient Sumerian, the mere retelling the plot is retelling the tablet, which is all world’s wealth.
“The people living in the garden rejoiced. The Marilithu tilled the land. The Marilithu protected the people. But the great prince swore vengeance. He cursed Mount Athlene and her land.
Athlene was angry at this curse. And the mountain and the land swayed. Atlen swayed, and bled, and screamed. Her fiery blood set fires. And her tears caused floods.
In fear, Lilith turned into a great bird. She grabbed people with her feet. She carried animals on her back. Marilitu and the lions also carried the people. Together they fled from the land of Atlen.
Lilithu went west and east. Lilithu traveled north and south. Finally she came to a dry land. The people thanked Lilithu. People built statues in her honor.
Lilithu wept for her lost home.”
The Goddess Astarte calls the Earth her “garden”. Who knows how many such gardens there have been. There was a paradise in some already lost place, spawned by the great nameless and forgotten ascent of men to the peak of progress. But there were forces to whom this paradise did not seem enough. They wanted the power of the Gods themselves. And here we come to the allegory of the combination of marriage with the Deity, which the prince supposedly sought.
I can say that this is a late perversion, at least a literal reading of it, from which the bible later made all its trademark pornography. But it is also the custom of the Gods to leave their messages in forms understandable to the local savages.
I am referring here to the so-called dream of the prince, supposedly to marry Lilith, and his last attempt to do so right in her Temple, which almost ended in his so-called marriage to a Temple youth, is probably one of those myths, the REPTILOID reading of which gave rise to the monstrous myths of Temple prostitution, thereby unleashing the hands of these creatures to blaspheme at will.
When I began to investigate this ghastly phenomenon, which had always caused me doubt, as its barbarity always went to my mind in complete contradiction with the supposed height of civilization, I found out one and only mention by Herodotus of FORCED prostitution in LATE Babylon (5 century BCE, History, I, 199), there are no reliable sources anywhere about the existence of such a practice in more Ancient times. It must be said that individuals, as in the case of the lowered geisha and miko in Japan, have never been forbidden to do what they want, but to judge a cult as a whole, or even more so the Gods of that cult, on the basis of some individual choices of specific not too enlightened people or illegal phenomena of a not too enlightened epoch, smells national discrimination to say the least, which we know very well what damned only source may come from.
In particular, everything we know about the wrongful phenomena in late Babylon coincided in dates with all sorts of Hellenic wars with it and with the confession therein of judaism in its most blasphemous form, see below.
Here’s what I’ve excerpted, for example from wikipedia, which dubs practices like maituna or devadasi “Temple prostitution”:
https://ru.wikipedia.org/wiki/Девадаси
“The English considered devadasi as Temple prostitutes” – where is the proof? The article only states their spiritual duties. Sacred dance has always been a spiritual phenomenon, in many peoples (and even more so in Hindus) it was used for going into trance, communicating with the Gods and healing. The same goes for Kagura in Japan – if you look at it, there is not an ounce of sexuality in it. It is purely our Standard Ritual with greetings to the four sides of the world, which all peoples also have to some extent.
If there is no evidence of this Devadasi behavior in the article, it means that this smear was just stuck on these people and fed to the public without a single piece of evidence.
https://ru.wikipedia.org/wiki/Майтхуна
Here the defamatory conclusions are drawn from mere murals and allegorical legends alone. Absolutely nothing other than a reunion with a lost part of oneself is clearly implied here. An example of this is the allusion to working with the 5 elements.
Yet the well-known jewish book of lies is shock full of fictional “testimonies”:
https://ru.wikipedia.org/wiki/Культовая_проституция
“The bible also mentions “kedeshi,” according to some interpretations (which are disputed, however), young men who were given to men in the temples. Judging from the bible, this was a very common practice in Canaan and neighboring lands. The Kadesh woman is mentioned in Genesis chapter 38 (the term is translated as “harlot”). The Phoenicians spread the tradition of Temple prostitution all along the shores of the Mediterranean Sea as far as Carthage. The existence of cult prostitution in Phoenicia was documented by the church historians Aurelius Augustine and Socrates Scholasticus.
The existence of ritual prostitution in antiquity is now questioned.”
Why? Probably because there is no evidence other than hearsay and blatant lies.
As for forced prostitution in the late Babylon, there is nothing more blasphemous for our Goddess than that. True, it must be said that the most heinous crimes are still being committed under the name of our Goddesses (ISIS). Desecration, degradation of human dignity, forced prostitution in the Temples of the Goddesses, and even in the name of these Goddesses – and this is exactly what the Greeks and Romans who describe all of this were faced with – all of this is evidence of the extreme degradation of society and jewish infiltration, which probably ultimately caused the fall of this empire at the hands of Persians, then Mongols and islamic barbarians.
In this connection, I cannot but mention the most blatant example of an unproven and archaeologically disproven lie, which is still being introduced into minds with absolute impunity: the accusation of the Pythian Priestesses of drug addiction. Archaeologists have not found under any of the temples, even remotely claiming to be Pythian, ruptures or any crevices with harmful gases coming out of there. They were simply not found. Nevertheless, this absolutely anti-scientific lie was still attributed to our Ancestors. Just like that, from all the explanations they chose this one – the most denigrating and insulting to the dignity of the Nation. And they were not punished for it. Just look at how they are now ready to beat to death “anyone who says anything about mohammed”, how all the courts are taking their side all over the world! But they themselves can just say anything without proof about our ancestors, our Pagan religions and our religious Leaders, and we won’t even raise a finger!
Python is a mythical creature, and his “vapors” are the energies of the Kundalini Serpent. The allegorical nature of these “vapors” is on the surface – they cannot be anything else, as they come from a mythical being, which is itself an allegory. NO, you have to come up with the most absurd anti-scientific version, completely disproved by archaeology. And the scientific community will eat it up!
Everything else I have read about so-called temple prostitution, like ritual abuse, etc., are such monstrous perversions of the original meanings of allegories that I don’t want to talk about them. All this belongs to the Dark Ages of mass abrahamization and absolute break with the true Gods and their messages, and represent NOTHING except the pervercity of the authors who have written such “hostory” of all other Nations.
There is another branch of blasphemy, which developed parallel to this one. This is the so-called association of Lilith with Succubi and Incubi, firstly, and attributing to them and to her murderous and non-divine features, secondly. There also belong all the lies about infanticide, etc.
Concerning the latter I can only say that I see for her similarity with Umai / Omai and Mokosh, the Goddess-mother and protector of women in labor and children respectively of Turkic and Slavic tribes, and such she was for all Pagan peoples with only one difference, that for the cultivating peoples she was also the Goddess of fertility. And this legend speaks of her as the most compassionate Goddess, literally the Goddess of mercy, in what I also see similarities with the Chinese image of Guan Yin, who sheds tears even over the defeated enemy.
But there is indeed an aspect of the mortal’s love for the divine and desire to connect with it in the legend, which reminds us of the love for Succubus/Incubus, and we do wonder if such a thing is possible and what could stand behind it. And that aspect of mythology is indeed there. Let’s not go too far – Greek myths are speckled with love between man and God, and if we analyze them, it becomes clear that this is done in order to gain certain spiritual benefits and to reach another evolutionary level, besides expressing religious feelings, glorification and a form of worship.
Ganymede was taken to Heaven and became immortal. Psyche became an immortal Goddess. Europa was carried away by a bull to unknown distances. Many received as a gift a divine child, the fruit of man’s union with God in discipleship, which may be a symbol of superpowers. The lover was carried away by Selene, but he was immersed in eternal sleep, because Selene is the Moon, and her call we most often hear only in dreams. Very often mistresses and children of Zeus were pursued by Hera that can be a symbol that with growth of superpowers and knowledge grows and responsibility for such, and often this new quality is accompanied by rejection by this world. The lives of these people can become complicated despite the advantages, like the lives of Io or Leto. Some lovers have died tragically, unable to bear the union with their Gods, such as Semele, and Apollo’s lover was accidentally killed by his disk. And this is closer to our story.
All this, as it is easy to guess, is the essence of the story of discipleship, receiving a part of the powers of their teachers, the Gods, and in case the disciple was not able to handle it, there are tragedies.
But the real light on the essence of Lilith and her relationship with the prince was shed by the practice of the rituals of the Gods. In doing the Baalzebub Ritual, I felt with my own heart the immensity of the Divine. Baalzebul is a whole other universe, unattainable and unconnectable with ours. A whole other parallel universe – in the same time with being a living being. A parallel, alternate, completely perfect, better version of the entire perceived world. Contact with this energy is the most desirable, and after this ritual there is a feeling that apart from it you don’t want to do anything in life and beyond, only to sit forever doing this ritual. Because these are the energies of paradise. And I would not be surprised if the Lady of All That Flies has similar feelings from contact with her energies.
This legend is about Initiation, receiving part of the powers of the Gods through the direct experience of discipleship. This is also clearly indicated by the allegory of the kiss at the end. The fact is that the symbolic ritual kiss is a traditional method of transferring power from teacher to student in many orders, such as the Templar Order. As with any transfer of power, it must not be excessive or the student may be harmed. What happened in the last scene and every time the prince tried to receive initiation without the will of the Goddess is that she slipped out of his hands each time in the form of a bird. And that’s the key to what I think is the most important part and allegory of this legend and all legends.
The bird is the most common symbol associated with the Gods in absolutely all peoples of the earth, without exception, who have articulate speech. Even Easter Island, which is located in the middle of the Pacific Ocean, if you ask the local population, who created the statues of Moai and all the megaliths of the island, which are many, they will answer: bird people. Half-people half-birds are the Race of Gods that supposedly were on this island and built absolutely everything there.
Birds were symbols of just about every single one of the most popular and most powerful Gods. Some even had more than one bird, such as Satan / Baalzebul / Zeus / Odin / Thor had both a raven and an eagle, and the same is observed in the shamanism of Siberia – there are two main birds, belonging essentially to one God Tengri (Thor Tiermes), and personifying his two main aspects.
Birds have for centuries been chosen for the emblems of all nations, and they carry Dragons, Serpents and giant fish or sea monsters into Heaven. Therein, in my opinion, lies the secret of the story of Prometheus. He is – quite obviously – the Serpent God who brought knowledge to men. All the Serpent Gods taught people and gave them knowledge – Oannes, Quetzalcoatl. This is the pattern of all peoples. And everywhere in all peoples the birds carried the Serpents into the sky. Sometimes only, it should be noted, giant Pisces took the place of Serpents, as in Kalevala and Slavic myths. And this is exactly what the Eagle of Zeus, in fact, tries and fails to do to Prometheus, as a result of which he tears out a piece, since the latter is chained to a rock. A mountain, a rock, as we have found out, is an image of ascent to one’s paradise, to one’s victory. But chainedness is an eternal symbol of quantum Observer’s attachment to the reality he observes. The bird, on the other hand, is a symbol of detachment from the Earth… and that is the key to this most important allegory.
The Earth is a creation of the gravitational forces of nature. The forces of universal gravity. The dense clump of planets of the incarnate world was formed because of this force. What the bird does, and what the ancient man could not do, why it became for him this eternal symbol of breaking away from his own limited world, and becoming God, able to own and control the observed reality, is its overcoming the forces of gravity. There is no more powerful symbol in nature that would more accurately describe the Freedom of Spirit characteristic of Heroes and Gods who have overcome the shackles of the physical world and entered the realities of higher Freedom. Reincarnation is a permanent fall “into reality” under the influence of the gravitational forces of spirit to matter. This is apparently how the ancients saw it.
Turning into a bird, Lilith goes into realms where time and space have no power over her, and is freely distributed throughout the infinite universe, so that her particles become infinitesimally small. When I do Satan and Baalzebul rituals, I feel this: sometimes their energies are concentrated and become intensely felt. Sometimes they are more distributed and dispersed (I’ve never found a better word: from the word dispersion – distribution) throughout the universe, so that they become too subtle and subtle and thin, thinning, for a human being to perceive them. That’s how it’s perceived. They can hear me and I can’t hear them.
This is what I think is meant by the fact that the grand prince, who has power over Mt. Atlen and tectonic forces, is unable to catch it. It says:
“Lilithu traveled west and east.
Lilithu traveled north and south.”
Our Slavic tales also have a description of a similar kind: “to go to all four directions”. This is usually given where the hero goes on his wanderings in search of a lost princess or the Firebird or some magical treasure or gift. All four sides are the four sides, dimensions (including time) and element of this physical world. To go to all four sides means to transcend them and go to the Aether, to pass through space and time.
The question is, how can the great prince, being limited by his world, reach such a thing? To do so, he needs to transcend space and time, and apparently it is the secret of this that he seeks and cannot find. In desperation, he begins to kill innocent animals and birds, symbols of these mysterious forces. His revenge falls on the innocent material symbols of Lilith as the image of the beyond, since he cannot get to her herself. It’s familiar, isn’t it? It means that a certain select minority is trying and failing to gain this power of the Gods behind her, but here we come to who the grand prince really is and what he has to do with us.
But first I would like to delve into another topic, since this series of articles are conceived as part of a section devoted to the revival of Pagan spirituality throughout the post-Zoroastrian territory. And this other topic will illuminate the full scale of the tragedy of the poisoning of the planet, which, as I believe, can be described in this legend, and to what it can lead.
Already in the Epic of Gilgamesh, at least in the form in which it has reached us, her references are not too similar to the Supreme Goddess of fertility. And the Epic of Gilgamesh dates from 2003-1595 BC. Her images and statues are practically not preserved, much less Marilithu, as her and their figurines were disposed of too early as Demons.
Further what I saw made my hair stand on end. You will find references to this in the sources. I refuse to translate these texts in so-called curse bowls or spell bowls – follow the link below and paste into your translator.
“Scholar John Charles Arnold states the bowls were used as such: “When placed upside down under each corner of a house, Demons would follow the inscribed charms that spiraled from the outer rim inward, only to be caught in the center.” They were commonly placed under the threshold, courtyards, in the corner of the homes of the recently deceased and in cemeteries.
The majority of Mesopotamia’s population were either christian, Manichaean, Mandaean, jewish, or adherents of the ancient Babylonian religion, all of whom spoke Aramaic dialects. Zoroastrians who spoke Persian also lived here. Mandaeans and jews each used their own Aramaic variety, although very closely related. A subcategory of incantation bowls are those used in jewish and christian magical practice (see jewish magical papyri for context). The majority of recovered incantation bowls were written in jewish Aramaic. These are followed in frequency by the Mandaic language and then Syriac. A handful of bowls have been discovered that were written in Arabic or Persian. An estimated 10% of incantation bowls were not written in any real language but pseudo-script. They are thought to be forgeries by illiterate “scribes” and sold to illiterate clients. The bowls are thought to have been regularly commissioned across religious lines.
Archaeological finds
To date only around 2000 incantation bowls have been registered as archaeological finds, but since they are widely dug up in the Middle East, there may be tens of thousands in the hands of private collectors and traders. Aramaic incantation bowls from Sasanian Mesopotamia are an important source for studying the everyday beliefs of jews, christians, Mandaeans, Manichaeans, Zoroastrians, and pagans on the eve of the early muslim conquests.”
Do you understand? They curse their own Goddess not even knowing it (“were not written in any real language but pseudo-script. They are thought to be forgeries by illiterate “scribes” and sold to illiterate clients. The bowls are thought to have been regularly commissioned across religious lines”.) The banishment of their own Protectress was in every yeard, home and cemetry… This happened 2-8 centuries C.E. No wonder they ended up with moslen conquests with such intense self-cursing.
This page is in the internet archive – you can look at these curse bowls yourself, translate the curse texts and see for yourself.
They depict the Goddess in the center of the bowl and around in concentric circles they write curses in Aramaic and cast her out in the name of the Jewish god Yahweh… The curse of “divorce” is quite clear, obviously meaning her “divorce” from Adam. In other words, it is the curse of man to part with that part of his spirituality for which this Goddess is responsible. It is a “divorce” from oneself.
“A subcategory of incantation bowls are those used in jewish and christian magical practice. Aramaic incantation bowls are an important source of knowledge about jewish magical practices, particularly the nearly eighty surviving jewish incantation bowls from Babylon during the rule by the Sasanian Empire (226-636), primarily from the jewish diaspora settlement in Nippur. These bowls were used in magic to protect against evil influences such as the evil eye, Lilith, and Bagdana (Lord of Demons, Son of Hubal, Moon God). These bowls could be used by any member of the community, and almost every house excavated in the jewish settlement in Nippur had such bowls buried in them.
The inscriptions often include scriptural quotes and quotes from rabbinic texts. The text on incantation bowls is the only written material documenting jewish language and religion recovered from the period around the writing of the Babylonian talmud. Scholars say that the use of rabbinic texts Demonstrates that they were considered to have supernatural power comparable to that of biblical quotes. ”
“In christianity, during the same period and in the same region where traditional incantation bowls were prevalent, christian incantation bowls emerged. These artifacts, often inscribed in Syriac, a dialect of the Aramaic language, Demonstrate a syncretism of christian and local magical beliefs. The inscriptions on these bowls typically include prayers, psalms, or invocations for protection against evil forces. Scholars interpret them as a unique manifestation of the blending of christian and folk religious practices in the ancient Middle East. Further research may delve into specific examples, deciphering the content of the inscriptions and exploring the cultural significance of these christian incantation bowls within their historical context.”
“In the islamic medieval period, what is referred to in the literature as talismanic or magic bowls performed a similar function. They represent the syncretism of the islamic tradition and occult sciences. The bowls, most often made of metal rather than clay, were covered in Arabic script, most often verses from the Quran or a hadith, and occassionally with Numerology or Astrology. They were most often used for healing by drinking the water that was left in these bowls overnight.”
Now you can clearly see that jews, xians and moslens who burned and executed so called witches and wizards for magic, themselves practiced magic en mass when needed it to curse our Gods. Quran, bible/torah and talmud are books of curses that were used to ward off our Gods so they could not protect us from their conquests, and sold out into every Gentile house via deception and taqiyya. And “coincidentally” the islamic conquests erupted immediately afterward.
Just so you understand, Babylon is modern-day Iraq, Persia is modern-day Iran. This is the territory that is now getting the most Israeli nukes.
All of this reminds me of a conversation between two Guardians of the Temple of Zeus where they discuss Israel’s use of tectonic weapons either along with or in place of the curse, or the curse itself for tectonic purposes, and whether the Earth will accommodate even more curses than those that have already overwhelmed her, driving them into her Ley lines via the Black Cube, xian churches on fault lines, and similar acts of tectonic black magic. And I realize that when the great prince cursed Mount Atlen and it began to explode and cataclysms began all over the world, this is the use of tectonic weapons by curse or technology or both, and that these tectonic and planetary wars have been going on from world to world for eons.
The Grand Prince, though being mortal, has survived and himself has created planetary catastrophe by means of spiritual and technogenic weapons. Hardly this image of the all-powerful magician and scientist represents one human age. Rather, it is a collective image of an advanced technogenic civilization, striving for absolute power. But then what does he want from the Gods, who are personified by Lilith? And here we come to the understanding of what forces and knowledge actually stand behind our Gods.
The answer is again the image of becoming a bird. She [the Goddess] can disperse herself throughout the universe and become its feminine essence. This is Shakti, the feminine energy of the universe. But what is the attracting, binding together Yin of the universe? It’s the force of universal gravity. The prince wanted to trick the gods into giving him the secret of the gravitational weapon for his own self-centered purposes. A disintegrator of worlds, galaxies. The Death Quasar. That’s what the great prince wanted.
Then everything goes the way of the ancient legend. The Gods don’t give up their secrets willingly. And the man begins to appeal to their compassion. The Goddess follows her pity and speaks words, rather usual for a martial arts master, from whom a student asks for a dangerous technique, but who foresees the consequences of ineptitude by the inept handling of this technique. This is why the martial gurus of the east often did not pass on all the knowledge, but shared only a small part of it with most of their students. In fact, the fact that he was giving lessons did not mean that he was sharing any knowledge whatsoever. Public lessons were more often reduced to the repetition of well-known formulas and 0% of the teacher’s own knowledge flowed through them. In order to become such a student, to whom at least some new knowledge could be revealed, one had to pass a lot of tests on these or those qualities, which were necessary to withstand this knowledge and not to be harmed by it, because teachers, like doctors, took an oath not to harm, and when sharing knowledge, it was extremely difficult to not do.
Ok, mama, just please gimmi that toy to play around… just gimmi that toy…
“Ok, I’ll give you one kiss, and let’s see how you handle it. First try to handle at least one kiss. Then we’ll talk.”
And he didn’t stand it. This is the standard plot of the oldest legends. It’s how Semele died. That’s how Phaethon died. That’s how Icarus died. That’s how mankind died at the hands of Pandora and Prometheus. They all begged from the loving Gods, taking advantage of their love, the means of their own destruction. They all took more than they could handle. The prince asked for love, and could not endure even a kiss. In this light, Azazel’s statement “nothing is in excess” takes on a very different meaning.
The prince asked for knowledge, because knowledge is power. Love is a world famous in antiquity, and especially in Ancient Greece, allegory of knowledge, because love is alchemy of masculine and feminine, and by transforming to the opposite side of the consciousness usually occurs with the purpose to get power and knowledge, at least that was the practice of the Ancient World when this myth was written. Do you need proof?
The most promiscuous God in the history of mythology is, of course, Zeus. As many lovers and mistresses as he had, no other God of any other mythology had based on evidence survived. One egregious example that is commonly used to accuse Zeus of not only homosexuality but paedophilia is the myth of Ganymede.
https://en.wikipedia.org/wiki/Ganymede_(mythology)
The chronology of this myth completely exposes this myth for what it really is:
“The earliest forms of the myth have no erotic content, but by the 5th century BCE it was believed that Zeus had a sexual passion for him. Socrates says that Zeus was in love with Ganymede, called “desire” in Plato’s Phaedrus. But in Xenophon’s Symposium, Socrates argues Zeus loved him for his mind and their relationship was not sexual. By the Early Modern Period, the event was termed a “rape” with little distinction from equivalent female abductees like Io, Europa, or Callisto.”
So, first it had nothing to do with eroticism at all, then it suddenly became “rape”, now we see that not only Ganymede, but all female situations fell into the same old Hellenic terminological scheme, and then we see in the Plato/Socrates cipher that speaks of the so-called love between a youth and the master who initiates him. We do not see anything in these mysteries except the transfer of knowledge, neither in those described by Plato nor in what we know from legends.
Another example. Semele died after seeing Zeus in ‘all his glory’. Isn’t this an instruction to the priesthood not to reveal too much enlightenment to initiates at once?
Or the carrying away of Europa by a bull across the sea. The sea is a whole separate story, also a well-known image of the depths of consciousness throughout Eurasia. Both women and treasure have been attempted by many to be carried across it, and like every attempt to cross the depths of consciousness, it has rarely been successful, such as the Finnish story of Sampo.
Bulls have a connection to humans throughout ancient Greece. Bestiality is yet another jewish reason to attack the ancient Greeks, and a favourite metaphor for the transmission of knowledge through creative inspiration. In both Ancient Sumer and Ancient Greece, bulls are set upon people by the Gods. And most often these stories end with the death of the bull. And it is proved also through different versions of the same myths. The matter is that bulls manage to be mentioned in legends of peoples living in areas where it is difficult for bulls to survive – it is Northern Siberia, circumpolar and polar regions. Here you can read about the image of such an animal, but there can be some other kind of it, as an image of our Solar Chakra. Most often this image of the death of a large hoofed animal is found in the circumpolar regions in the form of Heavenly Hunt. And this same hunt, but in areas where bulls are found, we see in Tauroctonia, the image of conquering one’s creative powers and talents, mastering one’s gifts of one’s astrological natal chart:
The connection between the two is through the calendar myth: Mithras or Apollo, the God of the Sun and of all the arts, the image of the master, conquers the wilderness, and in the Heavenly Hunt the deer or elk tries to carry in its antlers the same Sun, the image of perfection in all peoples, and some more southern shamans of regions where bulls are found, depict the Sun itself as a celestial bull.
And so we see that first it is hunt of a wild predator such as a bear, which at least can be imagined, then hunt of a snake on a bull, which is rather difficult to imagine, if only with anaconda in Africa, but these images are in completely different parts of the world and with a deliberately small snake, then the attempt of a man to cope with the bull in order to show heroism, and only then sacrifice. This myth is known all over the world and quite obviously originally is nowhere near sacrifice or ritual murder.
The ‘abundance of life’ that blossomed in the great prince is an abundance of knowledge. And the abundance of death that followed is what usually happens when great knowledge is immaturely utilized on a planetary scale.
In short, technogenic civilization has played around with the Disintegrator of Worlds. And the destruction it caused to itself was such that even the Gods could not put together what it had disintegrated itself into. Tears are an allegory of the purification of consciousness. Treatment with tears or some kind of vibe can often be found in many legends. People have had epiphanies when tears were dripped into their eyes. The Gods could not bring clarity and wholeness back to this world. The great mind that subjugated the Quasar of Death fell to pieces. That’s how I understand the legend.
Throughout India, where these myths and myths of the so-called ritual murder of the bull flourished, this symbol can be found in all temples – and this alongside the very obvious evidence of an extremely highly developed technologically advanced civilisation. All the traditional images of tantric sex and Shakti, with which tantra is universally associated, can be found in temples mottled with evidence of the extremely high technology with which these temples are made. Is this not an allusion to the use of some advanced form of energy, such as gravitational technology, with which alone one can imagine the construction of megilithic structures. To be fair, the Tantric bas-reliefs are mostly found not on megaliths, but even if they are later or made by other technologies, do they not testify to the history of eras that are now forgotten, but to those times were known and described in relevant myths like Mahabharata.
Shiva, as the Great Ritual of Zeus testifies, is the God of Lightning, Vajra, and he is depicted in the form of Phallus which quite obviously is a symbol of the same lightning. It turns out that Shiva is depicted as someone who can control the gravitational and magnetic forces of the universe. This is how you can build the megalithic complexes that the Earth is teeming with.
And with all of this, embodying such things, carrying such messages, Lilith at the beginning of our era is the most cursed and forgotten Deity I have ever met, in some cultures she survives only as an aspect of some one Mother Goddess, mostly associated with Astarte, such as Omai or Umai or Bereginya.
For millennia, the bulk of her was cursed while only one aspect of her out of an infinite aeon of aspects was “worshipped” – motherhood and helping women in labor. This has mysteriously coincided with relegating woman to a reproduction machine and at best being realized in that role, and ascribing it to woman as “the major one,” which a scientific approach shows it is not.
In particular, the heinous blasphemies committed against this Goddess for thousands of years by her own city, Babylon the Great, which is why, I gather, this territory has gotten the karma of islamic terrorism and endless manic domestic and military violence (Iraq, Palestine, In general, the junction Palestine / Israel is the territory with the most monstrous karma and one of the most powerful fault lines) mysteriously coincided with Herodotus’ recorded trade in their own women as slaves, while they had a separate caste of slaves who had nothing to do with these women. These unfortunates, according to Herodotus, were “free” and citizens of their country, and quite noble ones at that.
Again, in late judaized Babylon, as we can see from archaeology, even the only Goddess had only one aspect of her revered – helping with procreation, while we see from the legend that Lilith taught people literally everything.
I wonder, given what Yoni and the joint symbol of one with Phallus are, what could stand behind all this all-planetary abandonment of the Weapon of the Gods other than cosmic warfare?
Probably one of the few territories where Lilith was considered a Goddess at all, and not an “evil spirit” until late enough that we have any record of it, was the Hellenic civilization, Greece and Rome. And coincidentally, Hellas is mentioned as the birthplace of the first vimanas, certainly in a completely ancient pre-Atlantean immemorial era, alien to what we mostly understand by Hellenism. Another such rare civilization was India, which we usually associate with vimanas. Hera, the wife of Zeus, had two almost opposite aspects. One, like everyone else, the management of labor. The second – she persecuted all so-called “mistresses” and “children” of Zeus in the sense that she imposed on them all kinds of tests of strength. And in India Shakti also had this same Kali / Durga aspect. And I understood that this aspect of this Goddess is the reason of such a monstrous hatred to her not only of jewish people, but also of insufficiently perfect individuals of other nations, and in late and decayed times of these nations – just total hatred of almost everyone and everyone and official position of “evil spirit” – and this in her own city, which she and her Marilitu built for these people.
I think the answer to this is the name of Hera. The word Heroism is derived from her name. It is always courage in the face of adversity and the successful completion of some ordeal. Most often we see such her intervention in connection with the best of the best: if men – these are semi-godly men, “children” of Zeus and mortal, performing feats, if women – these are “lovers” of Zeus, who received some gifts or “pregnancy” from him.
And here we come, probably, to the most important thing, what this Goddess is in charge of, and what was in an exceptional extraordinary order completely wiped off the face of the Earth. I would say it is the very essence of the “name of Amalek”.
Why Durga pursues evil is perfectly understandable. Another thing is not clear. Why the Supreme Goddess, and Hera was called Thunderer and was exactly the Supreme Goddess, to pursue the best of the best, pupils of Zeus, and we have found out in the subarticle Debunking the myth about connection of Lilith with Lamia, Succubus and Incubus, that “adultery” and “filial connection” are nothing else than allegories of discipleship and transfer of knowledge.
All this also suggests that according to the Temple of Zeus website, she cannot be invoked, and that in her ritual it is suggested to do only 5 vibrations or any number multiple of five, as her energies are extremely difficult to sustain in this world. Is this related to how she was monstrously cursed? After all, not even all aspects of Zeus were cursed like that. It was mostly his Serpent and Infernal aspects that were cursed. The thunderer aspect itself was preserved until very late, when the “one god” of abrahamic and late Pagan monotheized religions was eventually molded out of it.
I believe that the chthonic aspects of the Gods were hated because in less developed epochs the main gray masses did not like discipline and rejected it completely, and in the abrahamic religions, this attitude reached its peak.
But Hera has never been anything chthonic, so where does this strange “jealousy” come from, and even to the best of the best (it would be understandable if only to villains)? I wondered about this question for a long time, until, I started to consider Hera exactly as Lilith in the light of this Sumerian legend. And then I had an epiphany.
The point is that, like everything in the mysterious ancient Greeks, whose mythology goes back to more ancient times than any other, this “jealousy” of Hera is an allegory of the purifying aspect of Lilith. I have already said that the answer is also in the name of Hera, who is the root of all heroism in this world. She builds heroes through purification and trials. She provides the work necessary to walk the path of the hero and join the hosts of the Gods. The same aspect is seen to a lesser extent in Aphrodite when she requires Psyche to “accomplish feats” in order to obtain her son. The same aspect is seen in the image of the Beautiful Lady in chivalric traditions – to inspire Knights to defeat Dragons and practice tournaments, it is the aspect of all women – to push men to feats and make them develop. The feminine energy in this world makes men become Heroes and leads them to ultimate Deification. This is one of the very aeon of untapped aspects of women in this world that I’ve been talking about, most of which are spiritual, that have been completely forgotten, if not cursed altogether.
The fact is that there are absolutely countless sons of Zeus mentioned in Ancient Greece, and not all of them became Heroes at all. Some were dishonorably murdered and put down, or just remained ordinary people. These are usually not the ones to whom Hera sent trials.
The so-called “pursuit” of Hera has another very important and also completely forgotten and cursed aspect: helping to unlock the gift given by Zeus. All people – both men and women – somehow favored by Zeus have one thing in common. They are rarely accepted by society. They often have to run somewhere, wander and travel somewhere. To seek something, some shelter. Traveling for Ancient Greece is the whole another great allegory of the Spiritual Quest, best represented in the Odyssey.
To fully understand this allegory I was helped by studying another important topic for the White Death of Islam website and section dedicated to the revival of Pagan cultures in territories affected by islam, these are the Kazakh concepts of Kasiet and Kaseret, which are also under different names in all Turkic peoples, and which are given by Tengri (Turkic Zeus). They all mean gift and curse as its opposite, respectively, but an opposite which is its flip side in the sense that derives from its misuse, such as suppression and non-use for good, which has taken place en masse in islam and communism, to which these peoples have been subjected. Actually the concept of Kaseret is most often used in relation to these periods, and this is how I came to know it, as it is a very rare concept for the Russian internet.
In our natal chart there are also areas associated with so-called “destiny” in the sense of plight, and “fate” in the sense of destiny, gift and talent that is given to be realized. And these two sides of the same coin are connected by an axis. There are several such axes, the point being that one end of it tends to gravitate toward the first meaning of the word “fate”, the other toward the second. These things are interconnected, and that’s what Kasiet and Kaseret are – the nomadic peoples have preserved this. They have a proverb very revealing in this sense, “do not turn your gift into a great suffering,” which testifies to the direct connection of these two concepts.
If you have noticed, the most gifted people are rarely heard in their homeland. There is even a famous proverb about the prophet. The people who look farthest into the future are the least understood of their age. Uranus, the planet directly responsible for genius, is also an aspect of Zeus as the God of Heaven and Paradise (Olympus), and his wife, of course. This is clearly shown in the Sumerian legend, which tells of the fate of past heavens. The vast majority of all peoples of the East know Zeus precisely as the God of the Eternal Heaven, as well as the Kasiet he gives. It is literally the gift of Uranus. This includes all so-called shamanism, all healing abilities and in general any gifts in any endeavor that makes this world a better place. Lilith is the Goddess who builds paradises, logically she is the Goddess of gifts, talents and geniuses coming from paradise, not to mention that paradise is not the Stone Age, it is the horison of civilization, and thus refers to the very-very distant future, for which Uranus and genius, literally the ability to hear the distant future, is also responsible.
What is symbolically depicted as “the persecution by Hera” is literally following one’s gift, the ability to hear and pursue one’s Kasiet, the restless pursuit of a dream rejected by the gray crowd. Lilith embodies all the dreams and dreams of poets rejected by the overwhelming untalented and mediocre majority.
I wouldn’t be surprised if Lilith rules female genius, female hermitry (truly powerful Uranus is impossible without Saturn, which in positive aspect implies some healthy asceticism and focus on the important) and generally the withdrawal of anyone in search of dreams and ultimate knowledge. Hera “chased” Heracles to wander in search of feats, and Leto/Latona to wander in creative pursuits to eventually “ give birth to the two Gods”. “Fertility” can be interpreted on all planes as creative invention and moving into the future in search of Paradise on Earth.
When I focused on this Goddess and thought, “Why are they doing this to You? Do you really help only with childbirth?” – and you know, Lilith, like Satan, is always the first one to pick up the phone when someone calls Hell. Then it occurred to me, “Begetting on a Beautiful thing”*** is a concept used in Plato’s Pyre. Childbirth is one of the most widely used allegories in the Ancient World and in all mythology in general – any mythologist will tell you that. The process of labor and creation are governed by the same energies. They are addressed equally by the poet, the inventor and the laboring woman. Our Souls are made by Satan to be able to generate the insight that leads to a better and more beautiful life. This energy is meant to give birth to paradises on earth, for which it gives birth also to human beings. It is the very energy of universal development, and the abrahamic religions are meant to stop this development. That is why she is the most cursed of the Deities – she represents the movement of civilization towards the Orion state.
Just as, as such, Hera calls for the search for the holy Grail and inspires the discovery of the gifts of Zeus, she also inspires the fight against evil, because that too is a feat. This sheds new light on her aspects of Durga and Kali. For the purification of the world, which the Tears of Lilith embody in Sumerian legend, implies also the purification of the world from evil.The need to fight evil is inevitable because nature does not tolerate imperfection in her children, and this Goddess, as a true mother, makes sure that her child – her daughter civilization, her future paradise – is not rejected by nature. This is no different from a mother cat licking her cubs, purifying them and teaching them to lick themselves. Hera is an example of self-purification, self-discipline, and constantly inspiring ourselves to do and grow. A reminder that we have a gift and that we must not turn it into a great suffering.
I searched for one of the names of the Goddess, Mitir, and found only myths about Metis, the first wife of Zeus, the mother of Athena.
There are several variations of this myth. The most beautiful is that Metis did not perish, but continued to live inside Zeus, namely in his head, in his dreams, fantasies, high reflections, meditations, always when we connect to the higher matter by means of thought. And it already very much reminds the general scheme of all myths about Lilith – Goddess of dreams, reveries, beyond and unknown.
I am just fed up with the ravings of obscurantists who claim that Athena had no mother. Athena not only had a mother, but a very good one who raised her entirely on her own. Zeus acted as the vast universe in which they were both located. And this is very much in keeping with the cosmic aspect of Zeus. I always saw him as a giant unreachable other universe. It is absolutely logical that from these worlds of dreams and inspiration come Metis and Athena – in essence Goddesses of dreams and inspiration, one – not manifested dreams, the other – manifested, in essence Athena embodies work of art, invention of science and any high endeavors in this manifested world, born in other worlds of dreams and reveries. Many scientists and creators have received revelations in dreams, and Tartini served his violin sonata in a dream.
“…Grabbing the violin, I tried to bring back the sounds I had just heard,” he recalled. – But they had disappeared. Then I composed the Devil’s Sonata, which was my best work, but how far it was from what I had heard in the dream!”.
Examples of people in the arts who mentioned that they dreamed up ideas:
– Dante got the idea for The Divine Comedy in a dream; Goethe got the idea for the second part of Faust;
– Edgar Allan Poe’s phantasmagorical works were inspired by his dreams;
– A.P. Chekhov dreamed the finished plot of a story published later under the title “The Black Monk”;
– English writer Emilia Brontë dreamt the plot of “Wuthering Heights”;
– English writer Charles Dickens said that he first sees his characters in a dream and then transfers them to paper;
– English essayist A. Benson wrote the poem “Phoenix” under the impression of one of his dreams;
– French writer Charlotte Brontë put the creative exploitation of her dreams on a conveyor belt, most of the plots were born in her dreams;
– according to their own claims, dreams have influenced in one way or another the work of Mozart, Schumann, Wagner, Tolstoy, Van Gogh, Voltaire, Pushkin, Fet, Mayakovsky, Salvador Dali.
Scientists have also made discoveries about dreams:
“In my boyhood I suffered from a peculiar affliction due to the appearance of images, often accompanied by strong flashes of light, which marred the sight of real objects and interfered with my thought and action. They were pictures of things and scenes which i had really seen, never of those imagined. When a word was spoken to me the image of the object it designated would present itself vividly to my vision and sometimes I was quite unable to distinguish weather what I saw was tangible or not. This caused me great discomfort and anxiety. None of the students of psychology or physiology whom I have consulted could ever explain satisfactorily these phenomenon. They seem to have been unique altho I was probably predisposed as I know that my brother experienced a similar trouble. The theory I have formulated is that the images were the result of a reflex action from the brain on the retina under great excitation. They certainly were not hallucinations such as are produced in diseased and anguished minds, for in other respects I was normal and composed. To give an idea of my distress, suppose that I had witnest a funeral or some such nerve-racking spectacle. The, inevitably, in the stillness of night, a vivid picture of the scene would thrust itself before my eyes and persist despite all my efforts to banish it. Sometimes it would remain fixt in space tho I pushed my hand thru it. If my explanation is correct, it should be possible to project on a screen the image of any object one conceives and make it visible. Such an advance would revolutionize all human relations. I am convinced that this wonder can and will be accomplished in time to come; I may add that I have devoted much thought to the solution of the problem.
To free myself of these tormenting appearances, I tried to concentrate my mind on something else I had seen, and in this way I would often obtain temporary relief; but in order to get it I had to conjure continuously new images. It was not long before I found that I had exhausted all of those at my command; my “reel” had run out, as it were, because I had seen little of the world — only objects in my home and the immediate surroundings. As I performed these mental operations for the second or third time, in order to chase the appearances from my vision, the remedy gradually lost all its force. Then I instinctively commenced to make excursions beyond the limits of the small world of which I had knowledge, and I saw new scenes. These were at first very blurred and indistinct, and would flit away when I tried to concentrate my attention upon them, but by and by I succeeded in fixing them; they gained in strength and distinctness and finally assumed the concreteness of real things. I soon discovered that my best comfort was attained if I simply went on in my vision farther and farther, getting new impressions all the time, and so I began to travel — of course, in my mind. Every night (and sometimes during the day), when alone, I would start on my journeys — see new places, cities and countries — live there, meet people and make friendships and acquaintances and, however unbelievable, it is a fact that they were just as dear to me as those in actual life and not a bit less intense in their manifestations.
This I did constantly until I was about seventeen when my thoughts turned seriously to invention. Then I observed to my delight that I could visualize with the greatest facility. I needed no models, drawings or experiments. I could picture them all as real in my mind. Thus I have been led unconsciously to evolve what I consider a new method of materializing inventive concepts and ideas, which is radially opposite to the purely experimental and is in my opinion ever so much more expeditious and efficient. The moment one constructs a device to carry into practice a crude idea he finds himself unavoidably engrost with the details and defects of the apparatus. As he goes on improving and reconstructing, his force of concentration diminishes and he loses sight of the great underlying principle. Results may be obtained but always at the sacrifice of quality.
My method is different. I do not rush into actual work. When I get an idea I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in thought or test it in my shop. I even note if it is out of balance. There is no difference whatever, the results are the same. In this way I am able to rapidly develop and perfect a conception without touching anything. When I have gone so far as to embody in the invention every possible improvement I can think of and see no fault anywhere, I put into concrete form this final product of my brain. Invariably my device works as I conceived that it should, and the experiment comes out exactly as I planned it. In twenty years there has not been a single exception. Why should it be otherwise? Engineering, electrical and mechanical, is positive in results. There is scarcely a subject that cannot be examined beforehand from the available theoretical and practical data. The carrying out into practice of a crude idea as is being generally done is, I hold, nothing but a waste of energy, money and time.
My early affliction had, however, another compensation. The incessant mental exertion developed my powers of observation and enabled me to discover a truth of great importance. I had noted that the appearance of images was always preceded by actual vision of scenes under peculiar and generally very exceptional conditions and I was impelled on each occasion to locate the original impulse. After a while this effort grew to be almost automatic and I gained great facility in connecting cause and effect. Soon I became aware, to my surprise, that every thought I conceived was suggested by an external impression. Not only this but all my actions were prompted in a similar way. In the course of time it became perfectly evident to me that I was merely an automaton endowed with power of movement, responding to the stimuli of the sense organs and thinking and acting accordingly. The practical result of this was the art of telautomatics which has been so far carried out only in an imperfect manner. Its latent possibilities will, however, be eventually shown. I have been since years planning self-controlled automata and believe that mechanisms can be produced which will act as if possest of reason, to a limited degree, and will create a revolution in many commercial and industrial departments.”
MY INVENTIONS I – MY EARLY LIFE
by Nikola Tesla
We see that the Goddess of dreams, reveries and visions has essentially guided our evolution, and without her and what she represents and controls in this world, our civilization would not exist.
All authors describe contact with their future creation as contact with a different and better world that appears to them in dreams and visions.
Being in this other better universe, which was the head of Zeus, Metida herself raised a daughter. And when Athena came of age and became a formed warrior, Metida herself made an armor for her, which could be worn only by Athena and which had no equal among Gods or mortals, i.e. there was also a workroom.
I do not wonder that it was a workroom of thought and armor made of dreams and reveries, forever preserving the legendary virginity, i.e., the purity of Athena’s spirit that makes her an invincible warrior. The allegory of the fact that virginity preserves the strength and purity, not only of girls, but also of boys, was adopted by medieval chivalric novels, which in many ways preserved Satanic symbolism of Hellenism. In particular, Sir Galahad was characterized by it, and that is why he won according to the legends. Brunhilde wore a virginity belt that supposedly gave her her strength, which of course has nothing to do with physiology. The Xians, of course, have relegated it to some trivial physiology. The xians have, of course, relegated this to some trivial physiology. In fact, it is quite clearly rooted in the highest dimensions, though in valiant and chaste chivalric behavior it also has an external effect, just not limited to appearance. The xians have turned everything into appearances and empty shells. I believe it goes back to this myth, as Athena was characterized by perfect invincibility similar to Zeus, as prophesied to Metis.
The essence of this invincibility is the world from which it comes. I repeat that according to the myth Athena has grown in the universe of dreams and reveries which was represented by head of Zeus and his higher Chakras, and the Goddess of dreams and reveries, dreams and the highest aspirations of mankind has grown her, having made her armor from these realities. Legend also has it that Athena was protected by her purity and infallibility, which has to do with Spiritual purity and clarity of understanding and orientation in this world of dreams and reverie that is her home. The Goddess of dreams, allowing her to navigate the higher worlds of poetic dreams, Metis taught her this by leading her through the nooks and crannies of her world, of which she was now Mistress, Mistress of All That Flies. Loyalty to childhood dreams, purity and open-mindedness has always protected the heroes.
Lilith is the Goddess who protects children and animals, all that is pure and innocent, untainted by bias, prejudice, xian, islamic and other brainwashing, too much focus on the physical world. For most of us adults, her world is the world of dreams and visions, from which our inspiration and everything that makes our world beautiful is born. Athena is largely considered the Goddess of inspiration, as she herself is the fruit of it. The secret of Athena’s security and her armor is that while remaining true to her true nature and origin – her Father’s higher and better universe – she remains invincible to xian and islamic curses and other curses that require a loophole in the Soul of the one being targeted. Jewish curses have plagued us, in many ways causing us en masse to make bad choices in our own lives. This is how bad karma is made. But loyalty to ideals and intolerance of their contamination at such an advanced level protects us from falling into the very depths of these curses.
I offer my interpretation of the Sumerian legend, as presented by Moffat, only as an example. I realize that if it is an original tablet, it has many layers, including spiritual ones, which are inaccessible to the technogenic consciousness alone. In particular, not only worlds and galaxies, but also non-material objects can be desintegrated. But the fact that the love story of God and man is a well-known metaphor of acquiring the power of a teacher by a student is a well-known metaphor, and all mythologists know it. There are so-called mythological techniques and patterns that are repeated all over the globe and have 0% literal reading because they look like complete nonsense. This is the proverbial transformation into a bird and werewolfism in general. No mythology is literal – this is also a known fact amongst mainstream scholars.
I only wanted to present some alternative to the tons and tons of blasphemy and filth that alone is associated with our Gods all over the internet, so that there would be a place on the internet for the devotees of this Goddess, where those who are interested not pornography, but in science, knowledge, alchemy, gravity, can come.
I wanted to present the view on this myth of an educated civilized Gentile man, a resident of civilized White Babylon, the legal and urban Babylon from which I brought such an attitude, not the one where bowls with curses of my Gods were made and sold in the markets to my ancestors via deception as “mere symbols that mean nothing”.
My point is that everyone tends to take things to the extent of their individual level of depravity and only see in the Mirror of Tezcatlipoca what they themselves are. Tons of unsubstantiated, pornographic lies tell me nothing but that the history of my Gods was written by sexual perverts. And completely mediocre ones, judging by the fact that they never wrote about anything beyond that.
As for how I see Lady Lilith due to MY level of depravity, for me, like Lord Baalzebul, she is the Goddess of dreams. Perhaps the Goddess of All That Flies means just that: fleeting dreams, nightdreams, everything that makes life beautiful. Goddess of Civilisation. The spirit of the world we dream of building, hovering in the Heaven of our reveries, pure and holy [hence, I think, the image of the Virgin Goddess – the unattainable horizon of dreams, but also the Mother Goddess, since the dream Metida is the mother of all high creations]. Advanced worlds, planets where people can devote themselves to creativity and science, giving everything else to robots and incubators, including spiritual ones. Timeless and extra-dimensional movements, travelling – all this can be taught by the Gods, if we ask them for it, and not for what the Grand Prince asked.
On possible accusations in science fiction, I shall answer the following. Firstly, I was led to the idea that the prince is a collective image of the whole civilization by his extraordinary longevity. In fact, to survive the destruction of one planet and the construction of life on another (and it is things of this scale are clearly described in this legend), even if there was a continent or at least one country in mind, it would still take millennia or at least centuries, even for the Gods. Even if Lilith herself with her power over time and can do anything in five minutes and even in the past, she “on her wings” (i.e. turning into a spaceship) saved mortals and even animals – they could not expect to build a new civilization from scratch “5 minutes ago”. But even if we imagine that one single mortal had such a life span, i.e. if he was definitely not an inhabitant of Kali Yuga, are you going to tell me that such a person, and even more so the ruler of an advanced technogenic civilization, living for thousands of years and possessing tectonic weapons, for all this time … has never found a place to get laid? Or did it somehow mysteriously not reach him all this time that it is simply impossible to “fuck” with a creature dispersed in an infinite universe (she repeatedly “turned into a bird” before his eyes) in such a primitive way?
You see, to try to literalize this legend would require much more effort of imagination and science fiction than if you try to explain it in a more natural way for it, as it seems to me, especially since endless hints of it given from the very beginning in the name of Mount Atlen – it is paradise. And paradise can’t be stone-age and its civilization can’t be built with digging sticks. It knowingly assumes this height of technology, otherwise it is simply not paradise.
If you look in the sources, they literally tell us that our ziggurats, pyramids and Semiramid Gardens were built by … by sex slave traders with the intelligence of the average isil fighter. When even modern technology can’t build them.
I sometimes wonder, actually, who the jews writing all these blasphemous fairy tales for, seriously? Who do these desert savages in their book of lies hope to deceive? If only other desert savages like them? That will eat up stories about angels with vows of celibacy because they don’t understand what Heaven really is?
Sources:
Some information about Lilith in Sumeria
https://en.wikipedia.org/wiki/Mullissu
Herodotus on temple prostitution in Babylon 5th century BC.
https://en.wikipedia.org/wiki/Sacred_prostitution#Babylonia
Babylonian and Persian curses against the Goddess written on spell singing bowls [warning: extreme blasphemy]
The same article is in the archive
https://en.wikipedia.org/wiki/Incantation_bowl
[Warning: extreme blasphemy]
Curses against Our Gods:
https://www.mirf.ru/worlds/chudovischa-shumera-tiamat-pazuzu-lilit
Charles Moffat’s website:
http://poetry.charlesmoffat.com/
Russian translation of Charles Moffat’s poem [free access because it is the translation of that Sumerian Tablet plot – use deepl translator for your language]:
https://lunaatra.org/articles/id/33/
Proof of the Phaeton and Atlantis catastrophes [PDF books recommended attached to the post in Russian ToZ forum]
The Truth about the Phaeton’s fate
https://en.wikipedia.org/wiki/Tectonic_weapon
Gravitational weapon
The ideas that came to the great men in dreams:
Creative dreams of the celebrities [Russian]
https://en.wikipedia.org/wiki/Srinivasa_Ramanujan
5 great scientific revelations done in dreams [Russian]
Great innovations done in dreams [Russian]
https://teslauniverse.com/nikola-tesla/articles/my-inventions-i-my-early-life
***”Begetting on a Beautiful thing” – from Plat. Sym. 206