I want to devote this article to the revival of what the most nefarious of jewish programs has tried to silence and drown out – the religion and mysticism of ancient Iran. But other modern states, whose territories were united by the common past of Ancient Persia, will also be touched upon. It is enough to read the poems of Omar Khayyam or the stories of Mijnun and Leyli for the veneration of the high mystical Uranic love to recall the sonnets of Dante, Petrarch and Shakespeare, the sayings of Plato and Plotinus, and it is enough to meditate on their sacred fire for this meditation to recall the work with the Stone. The description of Babylon the Great in the bible recalls the glory and sorcery of the Divine Pagan civilization in all its splendor – Heir to the Pandemonium, City of Mystery, Sorcery and High Priesthood, wonders of the Pagan Gods, architecture, world center of astrology, mathematics and all sciences, center of the world passions of the Beast 666, free from the shackles of pacifism and the stigma of sin, pure and sublime, lifting to heaven anyone who comes there. Its living symbol was its Tower, whose purpose has always been and will always be to enter the Blue Heaven.
Now the so-called Zoroastrianism is a rather pitiful sight: a small bunch of incestors wrapped in white shrouds, dying out from genetic diseases and deformities. Fears of menstruating women, fears of witches and sorcerers, fasting on and off, obligatory wrapping in rags. Spitama, the Priestly caste, traditionally reborn as White, now that all that is left of this is the tradition of wrapping themselves in white rags from head to toe, it doesn’t occur to anyone that this is the original Race of our Gods, aka the Radiant, their White Race was often associated also with their radiant auras and the spiritual light emanating from the enlightened ones. I do not know why it does not occur to the Zoroastrians, but Shining – in their own ancient language, this is the Devas, this is the literal translation of this word and all the ways of pronouncing this word in other languages: Divas, Daeva, Deus, and, by the way, Day. Day, the Dagatz rune, which literally means a flash or spark of light that illuminates the consciousness, illumination, insight, dawn – all things related to their object of worship, the Light. Judging by the way they live their lives, they do not see the riches of their own religion.
For example, do they realize that the menstruation of women is the most sacred time of the Moon and her Goddess Artemis, most likely their Goddess Ardvi, when their less fearful ancestors channeled this energy to serve the Great City of Mages. Menstruation is the time of Witches and Sorcerers, and the Moon, manifesting through this her nature, is the planet of the most mad mystic scholars, to whom she reveals her countless secrets, which were the true pride of their true religion and the true Atlantean glory of their Ancestors. The lunar mysteries revealed to them the foundations of the sciences, which they comprehended by mystical illumination, and which constituted the pride of this World, which even their cosmic enemies sang about in their saga of Armageddon.
In this article I would like to restore the Ancient Iranian Religion to its original greatness and wash away from it the shame of misconceptions and filth on the basis of which Islam arose, like a deadly cancerous tumor into which a seemingly harmless benign tumor of the late Zoroastrianism degenerates.
The history of Iranian Ancient Religion goes back centuries and now appears in the form of tales of heroes and demigods and the Gods from whom they derive their lineage. It is the chanting of male heroism and impeccability in battle, which is very much combined with the perfection of the element of Fire to the highest and purest of its state of smokeless fire Iblis / Satan / Ahura Mazda – Jinn of the purest smokeless fire.
Ahura Mazda literally means Having Wisdom, because As is Knowledgeable or Skillful (Ahura – rune As / Ansuz or Scandinavian Ases), and Mazda is Wisdom or Consciousness itself (see below). Ahura Mazda, Ormust, Ormuzd, Aramazd was known in the territories of modern Armenia, Turkey, Afghanistan, Iran, Azerbaijan (literally, Tierra del Fuego), Tajikistan, Uzbekistan, Turkmenistan, even Mongolia, Kazakhstan, Kyrgyzstan and other territories inhabited by the Mongoloid race – as Hormusta Tengri. He was the God of shamans in the respective cultures. The Persian word Mazda, the English word Mind (consciousness), the pan-European word mentality, Avestan word Mainyu, the Russian word Мудрец (Wizard, pronounced as Moodretz), Мудрость (Wisdom, pronounced as Moodrost’), the Sanskrit Medhe (wisdom, awareness), the Greek concept Pai Mandr are homonyms in different languages or dialects of one similar language. Sometimes it was the name of the Thunderer, sometimes, of the God who brought fire to men. Either way it has to do with working with consciousness in one way or another. In pre-Soroastrian Iran it was the name of a Spirit, perhaps one of those whom the Arabs would have called Jinn, just the same, but perhaps not just any one person was called that, as in the case of Buddha (Boddhi is just an awakened one, a sage, any God can be called that). It seems that this is the original understanding of the Magician in the legendary Religion of the Magi – Gods and Sages who have achieved immortality and power. And I will not even be surprised if I find out that the word Magician (G in ancient languages is easily changed to D or J, i.e. English J, as in the English word Magic, magic) is the same root as the word Мудрость [Moodrost’] (Wisdom).
Next I will show that ALL the concepts of modern Zoroastrianism, from which the islamic assholes have fashioned their version of judaism, are actually, I believe, allegories of states of consciousness and stolen from the mystical Mithraic cults of the ancient Iranian religion.
The entirety of islam was stolen from Zoroastrianism completely off and on. After the blow of islam, which also meant a blow to Racial purity and forced incest due to mass rapes, forced marriages and mass genocide of the Iranian population at one time by islamized Arabs, at another time by Turks, the religion of the Ancient Gods was completely destroyed and lost, and islam was introduced by force. The Tajiks and Iranians nevertheless, with the help of their artists such as Ferduosi, revived the remnants of their Ancient Faith and the memory of it and their Aryan past through translations of their ancient heroic tales and legends. The Shahnameh, literally means the Book of Kings, is the work of more than one generation of poets, where lost legends are literally collected in the forms of heroic epics, the usual forms for poets to preserve older Pagan myths. Patriotism, demographic catastrophe and the extinction of the Race have become a good screen for the preservation of Pagan values and faith because of the incessant wars, as nothing like it to unite the people in hard times.
For example, the greatest legend of Faridun and Zahhak, which is etched forever in the heart of every Iranian and earthling who knows it, and which is a living and open challenge to the entire jewish world and enemy aliens in the heroic spirit of the true Faith of Fire, is literally the great poet’s preserved message from our ancestors and Gods that for a thousand years (for a season) because of pride, misuse of knowledge, and disrespect for the Serpent’s Power, an era of jewish power, jewish religion, and alien yoke will come, and that all this has its root in man’s own human omission. Before this Jamshid, (Jam = Yam = Indian Yama, one root, one word), supposedly lost Khvarno three times or lost three kinds of Khvarno, which made him mortal, and by dying he himself becomes the Ruler of the Kingdom of Death, i.e. this is the legend of the Death God Yama. And it is an allegory of the descent of the Serpent and the departure of the Serpent from the power of man, of man becoming mortal again. The legend of the Dragon is in absolutely all peoples, and all peoples have warnings concerning its danger for those who are not prepared to meet it. In this case, Zahhak is a classic kind of bad outcome of another abuse of the Serpent’s power by mankind, which can be found in all fairy tales.
I want to repeat here the golden words of the boy from the Cambodian fairy tale of the Dragon: “you became a Dragon because you were never a Man”. Honestly, I don’t know how they got into the Soviet cartoon, but this is such a great and sensible truth that I wouldn’t be surprised if the Gods themselves tried and preserved this treasure to our days so that it could illuminate the Soviet space of the 20th century with its Ormust light. The essence of it is that people tend not to master and underestimate the basics of spiritual development and want only “freebies”, only its higher stages, jumping to them without preparation. They think that they have achieved something, but from the outside you can see that they have become nothing but a Dragon. This is usually only visible to those around them, and this very fact shows a complete lack of mastery of the situation. In this way you can only raise Dragons in a bad sense of the word, a classic example of which is Zahhak, who being a legendary Pagan, introduced the abrahamic faith for the sake of personal power. This describes the making of a pact with the reptilian by some people.
In the Ethics of God Baalzebul on the Temple of Zeus website, there is a prayer to become a Man for a reason. It is difficult, and it is an accomplishment. Just by being born, breathing, eating, and existing, no one is a Man, but only an unintelligent creature, since no human actions distinguish him from it yet. Sleeping, eating, surviving and fighting for a place under the sun – a monkey can do all this, and often much better. To try to become a Mage or to master the power of the Snake without becoming a Man is a standard mistake of many people for thousands and thousands of years, and I believe that Zahak is a nominal name, and his thousand-year reign is an allegory of the Dark Ages, into which mankind has fallen because of the abuse of spiritual knowledge by a bunch of non-humans, who never bothered to become Men.
This led to the darkening of consciousness (Angra Mainyu literally means darkened by anger or other out of control passion consciousness, Angra (Angra (Angry) – darkened, burdened with its own darkness, Mainyu – consciousness, rune Mannas, Mind, Mind, Paimandr).
But Plutarch and the ancients have preserved a wealth of information that Ahriman was a great God not only in Ancient Iranian religion in general, but in particular Zoroastrianism, which he was originally, and worship Ahriman / Angra Mainyu recorded in the teachings of Zarathustra himself:
According to Plutarch, Zoroaster taught the worship of Ahriman. The Encyclopedia of Iran claims:
“There existed Ahriman worshippers is attested by Plutarch and in a Dēnkard passage. The former (Isis and Osiris, 46) says that Zoroaster taught the Persians to sacrifice to Areimanios “offerings for averting ill, and things of gloom. For, pounding in a mortar a herb called omomi, they invoke Hades and darkness; then having mingled it with the blood of a slaughtered wolf, they bear it forth into a sunless place and cast it away.” And the Dēnkard (p. 182.6) says: “The perverted, devilish, unrighteous rite of the ‘mystery of the sorcerers’ consists in praising Ahriman, the destroyer.” Such a cult must have passed to the mysteries of Mithra, where dedications are found Deo Arimanio. The possibility of statues of Ahriman will be discussed below.”
“Based on dedicatory inscriptions for altars, the name of the figure is conjectured to be Arimanius, a Latinized form of the name Ahriman[t] – perplexingly, a demonic figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult as seen, for example, in images from the Corpus Inscriptionum et Monumentorum Religionis Mithriacae (CIMRM) such as CIMRM 222 from Ostia, CIMRM 369 from Rome, and CIMRM 1773 and 1775 from Pannonia.”
Poet Rumi who was phylosopher, sufi and crypto-Pagan mystic understood that both Angra and Spenta Mainyu are both but aspects of Ahura Mazda / Zurvan (who are also the same):
“This is our main quarrel with the Magians (Zoroastrians). They say there are two Gods: the creator of good and the creator of evil. Show me good without evil – then I will admit there is a God of evil and a God of good. This is impossible, for good cannot exist without evil. Since there is no separation between them, how can there be two creators?”
The name Ahriman is derived from the Vedic Aryaman and is also a synonym and version of the pronunciation of the Divine name itself, which hints at their etymological similarity.
“Aryaman (Sanskrit: अर्यमन्) is one of the early Vedic Hindu deities. His name signifies “Life-Partner”, “Close Friend”, “Sun”, “Play-Fellow” or “Companion”. He is the third son of Kashyapa and Aditi, the father and mother of the adityas, and is depicted as the mid-morning sun disc. He is the deity of the customs that rule the various Vedic tribes and people.”
“In the Avesta, airyaman (Avestan: 𐬀𐬌𐬭𐬌𐬌𐬀𐬨𐬀𐬥, romanized: airiiaman) is both an Avestan language common noun and the proper name of a Zoroastrian divinity.
The common noun is a theological and social term literally meaning “member of (the) community or tribe.” In a secondary development, the common noun became the proper name of a divinity Airyaman, who is the yazata of health and healing.[*]
In Zoroastrian tradition, Avestan Airyaman is Middle Persian Erman (Ērmān).
Note the similarity to the name of the God Ormusta Tengri or Ormuzd.
“The common meaning of airyaman/aryaman as “member of community” is preserved in both Avestan and Vedic sources, as in both cultures the common noun airyaman/aryaman defines “a type of social group.””
However, the respective divinities do not have a common primary attribute: While the RigVedic Aryaman is apparently the “[friend[e] by] hospitality,” Avestan Airyaman is unambiguously a divinity of healing. Attempts to explain this anomaly range from an alternative interpretation of the masculine form of the Vedic noun, for example, as “protector of aryan men,” to a reinterpretation of “healing”, for example, “he [i.e. Vedic Aryaman] also exists in the Avesta, under the name Airyaman, and there also is he the helper, the benefactor of man, inasmuch as he is a healing god.””
Just as Hades, being the same Satan as Zeus, rules over the realities of death and the Lower World, which is inevitable only for people with darkened consciousness so that they cannot see the light of Ellisium, so Angra Mainyu is rather a state of the region and epoch of darkened consciousness, which has the same ruler as all other epochs, because there is always one ruler, but they see him through the darkened consciousness of Angra Mainyu. Whereas Ahura Mazda is what they see through the pure consciousness of Spenta Mainyu. Getting lost in a series of meaningless reincarnations is what is known as “falling prey to Ahriman,” i.e., one’s own state of consciousness. “Obsession” or ‘temptation’ refers precisely to the illusory nature of the world itself, which such consciousness observes, and not to God, who rules everything and any world at all. Angra and Spenta Mainyu are concepts having to do with the state of consciousness. Here it is further shown how under the influence of Mithra and Angra Mainyu from the ashes of the original bull, which symbolizes the wild elements and animal mind, the first man is born, i.e. a real man as opposed to andrapoda.
“Ahriman and the Tree Man.” [Caption on p. 500: ] Pl. 18 opposite p. 465 depicts the serpent Ahriman strangling the primeval bull [Abudad] from which the first man [Cayomorts] emerges.”
Joseph-Jacques Odolan-Desnos, Mythologie pittorescu, or Universal History of the false Gods of all ancient and modern peoples, Paris, 1839.
This inscription is obviously made on the basis of the myths studied at the time, when they were not yet presented so corruptly and neutered. And here is the original: this is the first centuries AD, and you can still see the Serpent under the feet of Mithras.
And the same thing in stone – if you only knew how I love stones for their ability to keep information in tact for 10K years! I heard how the islamic caliphs tried for decades to destroy Indian temples – they broke hardly if one ear of an small stone elephant in whole Temple complex.
In other words Ahriman participated in the creation of the first man.
 Drawing of the “leontocephaline figure” of Ahriman, found at the mithraeum of C. Valerius Heracles and sons, dedicated 190 CE at Ostia Antica, Italy (CIMRM 312) An illustration depicting the white marble statue in the Fagan Mithraeum at Ostia Antica, now in the Vatican Library, is reproduced in Franz Cumont’s The Mysteries of Mithras, 1903, fig. 20, p. 105 (=CIMRM 312-3).[1] Near the base of the statue is an inscription, dating from 190 AD. CE, which reads: “C(aius) VALERI / VS HERACLES PAT(er) / ET C(aii) VALERII / VITALIS ET NICO / MES SACERDO / TES S(ua) P(e)C(unia) P(o)S(ue)R(unt) / D(e)D(icatum) IDI(bus) AVG(ustis) IMP(eratore) / COM(modo) / VI ET / SEPTI / MIANO / CO(n)S(ulibus)”. |
 “One of the most characteristic and (((poorly-understood))) features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head). His body is a naked man’s, entwined by a serpent (or two serpents, like a caduceus), with the snake’s head often resting on the lion’s head. The lion’s mouth is often open. He is usually represented as having four wings, two keys (sometimes a single key), and a sceptre in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. On the figure from the Ostia Antica Mithraeum (left, CIMRM 312), the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on his chest. At the base of the statue are the hammer and tongs of Vulcan and Mercury’s cock and wand (caduceus). A rare variation of the same figure is also found with a human head and a lion’s head emerging from its chest.” Wonder who he is? The cult of Mithras definitely includes the cult of Ahriman. |
Now, according to Plutarch, Ahriman was also invoked by Persian kings, offered rich sacrifices and prayed to in situations of mourning the dead or in need of protection. Putarchus claimed that this was their Greek Hades. If one reads the Iblis / Shaitan myths and the occult nature of the Iranian Gods, one finds that both are based on the allegory of Fire in its various manifestations. The Jinn Iblis says that he will not bow down to anyone made of mud, as he is a creature of pure and smokeless flame, like all Jinn. But this is the description of Ahura Mazda and the whole pantheon of Iranian Gods, if we look at the occult practice with Fire, and in this study I am interested in the aspect of Fire. On the other hand we see here a clear blasphemy in the later versions of the Iranian faith on a special kind of Gods under the general name of Devas, as if they had something to do with the above-described darkness of the mind with its own darkness. But they precisely mean Shining, White under the color of the Sun, not otherwise than Spitama. And these too are beings of the highest form of Fire, why, because Devas, Demons and Jinn are the same words in different languages. And Jinn is pure incorruptible and smokeless fire. In Russian, Divo means magic, miracle, all of which refers to the aspect of Devi – the feminine side of the Soul, from which all miracles and acts of magic arise.
The only difference between the aspects is that the Devas contain the element of Devi, the feminine aspect of Wisdom, while Mazda is a clear allusion to the masculine aspect of the mind and the rune Mannatz, which emphasizes the conscious understanding, exploration, side of the Magician.
As usual, the Tarot provides the answer: the High Priestess is the symbol of mystery, of all that is secret, mystical, learned in the course of the mystery, closely related to the allegory of Darkness, while the Magician and Priest are the logical sides of the mind, closely related to the allegory of Light. The fact of the matter is that the two Towers on the Tarot card Priestess come specifically from Zoroastrianism. Mozart immortalized the problem of Zoroastrianism in his last opera The Magic Flute, where the feminine and the dark are rejected. Mozart, in my opinion, approached the problem of Zoroastrianism very precisely. On the one hand, there is the side of evil, which unambiguously points to islam and the Middle East (the rapist Moor), on the other hand, this side somehow cooperates with the feminine side of the Soul, which easily manages the Dragon (i.e. Satan’s Serpent), from which the protagonist runs away in shame. In other words, the masculine mind is unable to cope with the power of the Serpent, in which it is aided, playfully, by the feminine. That said, the dark side somehow harbors evil and eventually turns against the only thing it fought for – its own daughter. It also shows what in fact Zoroastrianism differs from xianity, namely that the God of Darkness is an equal adversary with equal power, such an important and integral force of the universe without which creation is impossible. And it would not be surprising if these are aspects of the same God. It’s a Pagan idea, and I’d say it’s one of the few bridges between this rather mediocre religion with the Mysteries of the real Babylon, the City of the Gods Dagon and Balaam that Enuma Elish tells us about.
Plutarch explicitly says that Ahriman is the great God, and that all allegories of the struggle of light and darkness are nothing more than allegories. The female side of the Soul became “evil” not because it was so, but because we have not learned to work with it, left it without cleaning and proper attention, like Avgius’s stables, so there is evil there, because where there is no regular care and cleaning, work, evil always settles there. And Zahhak’s problem is very strong here. Babylon of the Gods was different from modern Iraq, because the Gods controlled and tamed the forces, which the modern Middle East looks at with horror, and islam is trying to destroy the very memory of them.
In other words, according to Mozart and Plutarch, the late Zoroastrians removed the female occult secret side from the Ancient Iranian religion. And left only ritual and ceremony. The solar and fire symbolism of conscious mind and ethics. But at the same time the memories of real magicians, astrologers, soothsayers, healers, not circus performers and performers of formal ceremonies were preserved. Europe was waiting for “another Zoroaster”, a powerful Fire Magician – a dream of the Renaissance, not the one brought by Anquetil Duperon, as we see it clearly in the reaction of Voltaire and all the highest minds of Europe. I understood that together with Devs they symbolically got rid of the White Race as well, because in the era of Devs the territory later known as Persia was White. Doing the Balaam ritual, I feel keenly that his Babylon the Great was White, blue-eyed and golden-haired like the native Scandinavians.
In fact, and Dev (Div Deus (God), Dyaus, Devil) has a direct connection with the concept of Serpents or Nagas. The thing is that it is in absolutely all myths of the peoples of the world, fairy tales, legends – just take the first Russian fairy tale about Serpent Gorynych – everywhere there is this warning. The serpent is almost always underestimated, and it takes a tremendous amount of wisdom to deal with it. The danger of being devoured by it, of “becoming a dragon yourself” is the flying phrase of all children’s fairy tales, all of this is absolutely echoed in the legend of Faridun and Zahhak, and all of this is one of the core messages of the entire heritage of mankind. This does not make Ahriman, the Serpent God, bad; it is the Serpent’s property to awaken in the untrained one illusions and temptations which he has failed to overcome in earlier stages of learning. These experiences, being premature, can be completely destructive. This does not make the Serpent unclean or bad, it only reveals the uncleanness of the man who raised it out of pride and other impure considerations, and it is his uncleanness that must be burned in the Fire of the original Zoroastrianism as Plutarch understood it in its ancient and unspoiled sense. Gradually Zoroastrianism was corrupted, people were fixed in an unprepared and impure state, because of which working with the Serpent became impossible and dangerous for them in their most part. And perhaps this is what the legend is connected with.
Dahhaka or Jahhaka – means simply “snake” in the respective language group. This is how snakes are commonly referred to in these regions.
In the occult side of religion, represented by such cults as the Brotherhood of the Serpent in Egypt, Gnosticism, and Mithraism, the specific what looks like monotheistic at first uncomprehending glance, mythology is actually a process of working with the Philosopher’s Stone and with one’s Soul in very elusive allegories that outwardly may pass for some kind of mystical monotheism. In this case, I believe that what is now known as Zoroastrianism was borrowed and over time finally distorted from an older mystical tradition that was practiced in the circle of Iranian Magi, and consisted of advanced practices of spiritual Fire, particularly deep purification by Fire and actual preparation for working with the Serpent, which already leads to immortality and all that it promises in the legend of Paradise. Fire is the center and symbol of Persia, which has protective, purifying and healing functions, it literally forged many of the Middle Eastern civilizations that have survived to this day.
But the jews, who created islam, erased these mysteries from our memory, like the secret aspect or the feminine side of all religions, but they themselves kept the knowledge of it for their own circle. That is why the entire qur’an is full of proverbs that say, “allah knows best,” “allah” in this case being the jewish people. In particular, preferring the creation of dust and dirt to the pure and smokeless flame, the whole islam focuses on the slave worship of the Black Stone, which symbolizes this very “che guevara ball of shit” dirty and yet uncleansed matter. Which in fact it exactly symbolized in Pagan world, not meaning though to remain it forever.
The black stone is not only the Kaaba, it is also man himself, and here is why: the quran says that Iblis refused to bow down to man because he, Iblis, is made of pure smokeless flame, while man is made of clay, which alludes to what is known in the original symbolism as Saturnian clay, the element of Earth or the element of Saturn. This is literally an unprepared man who has not yet learned to deal with his life and the forces in it, making his life something of a xian hell, or at any rate nothing to be proud of in the way that Iblis is proud of. Iblis, on the other hand, has learned to subdue the elements and material elements of his life, so his element is pure and breathless, and if man were to worship him and learn from him, it would benefit man, for then he too could become the same. The stage of Earth, Saturn or Saturnian clay is known in alchemy, both Arabic and Western Medieval and Renaissance, as the first stage of the Philosopher’s Stone, in other words, Saturnian clay is that from which it is born, the prime matter, the raw material, so to speak.
The black stone of the quran according to the legend is black not for no reason, but because of human sins, the concept of “sin” was stolen from the imperfections and image of the beginner and the disciple at this very stage of the Earth, because according to the mystery, we are imperfect as the Philosopher’s Stone, from the very beginning, because we live in the process of self-perfection and forging of pure gold, initially not being it, but being a pile of scattered base metals. The lump of clay is where mystery or alchemy just begins. The Philosopher’s Stone, which symbolizes the Soul of man, which is first a lump of Saturnian clay, corresponding to the stage of Saturn. That is why the judeo-islamic black cube has the shape of a cube, as it is the shape of the element Earth and the planet Saturn, from which they stole it, and that is why it is actually black – it is the color of Saturn. There’s actually nothing wrong with it, it’s just a beginner’s stage. Everything starts somewhere. But slavish worship of the Black Stone literally means a curse to forever remain clay, cube and uninitiated, and never evolve into anything else, or into the pure smokeless fire that is Iblis. This is what the qur’an is really about. It represents a curse cast upon the process of alchemy to stop and fix it in its initial stage forever.
Now, how Stone is related to Fire. Fire is the driving force behind the process of development and growth of civilization. It is the energy that accomplishes the process of all alchemy and rebirth and yesterday’s self that burns in it, into a better tomorrow self. A very important aspect of this is that our Fire Center is our Solar Chakra, the most powerful Chakra that rules the natural process of alchemy in our body: the transformation of food into Qi energy and blood, according to Taoist alchemy. The higher hypostasis of Fire is the force behind the progress of civilization. This energy in its highest form is also behind all the thirst for knowledge in the world. Babylon the Great was famous for its mathematicians, scientists, astronomers and astrologers. Even its destruction in the bible could be provided only by Armageddon itself and, as it is written, was a weeping and wailing of the whole world and all people in all lands and countries, as it was their stronghold and center. And it is not surprising, as all knowledge, scholarship, blossoming of culture and wonders of technology spread from it. I think that cursing the energies of the divine spiritual Fire, cultivated by the Pagan Cities-States of the Middle East, had the purpose to stop the development of civilization of the Earth and not least the technical progress, because all mathematics came from there, and therefore, stopping progress is the true essence of Islam.
How exactly was this done?
The point is that the Spirit of the Middle East is ruled by this smokeless divine Fire of Truth, as the Iranian mystics call it, and as Iblis appears in all scriptures, even the quran. So, all his manifestations and all the mythology tied to him and his allegories of purification of human substance should be distorted into the characters and events of the vile quran, which is his curse and link his energies to it. For example, 99 names – came from Zoroastrianism. The character name Aisha is the ideal woman in islam: raped from the age of 9, subjected to other types of molestation from the age of 6, constantly beaten and humiliated, illiterate, became a widow by adulthood and after her husband’s death gave herself to jihad. Her name is stolen from the name of the Persian Goddess (or allegory) Asha, the word is known as Artha (Vedas) or Asha, and literally means the law of karma. More than anything else in the Tarot and in Zoroastrianism itself, she can be compared in characteristics to the Goddess of Fortune or Fate, although the word Asha itself means Truth or Justice.
All scientists, astrologers, astronomers and divinators of the world tried to learn the laws of being or the laws of karma, cause-and-effect relations, in order to learn how to control their destiny and influence the destinies of this world. The Religion of Ancient Iran is the Religion of the Magi in the truest sense of the word – so the chronicles of the ancient Greeks tell us, who caught and preserved information about older and more true forms of religions of other countries. For example, Apollonius of Tyana went to India, and those who wrote his hagiography preserved information about India, thanks to which we now know that India was not always a collection of homeless, beggars and lepers, but “very cool gurus” without primary education, and yogis were not always skin and bones wrapped in a dirty tangled beard longer than the man himself.
See here how Fortune or Luck is connected with Karma and cause-and-effect relations from the point of view of Ancient Greek thought.
It must be assumed that in the quran the Goddess of Karma or Truth is shown as a little girl scrubbing dried semen and urine off the filthy stinking clothes of drunken islamic cattle with her fingernails. This is a great curse on all peoples who profess it, for to abuse the faith is to abuse the racial soul, the highest aspects of it. The bodies connected with karma and destiny are the highest bodies of man according to the theory of bodies that came from India, and I cannot even imagine what a monstrous sacrilege and harm to one’s own soul a man can commit with the help of the quran.
Prayer five times a day.
It too was stolen from Zoroastrianism. Only in Zoroastrianism it still included meditation, distorted by it from the Ancient Iranian religion. Namely, during the transitional periods of day and night, it was meditation on fire and sunrise/sunset respectively. We all know that nothing mesmerizes and extinguishes the tossing of the mind like the beauty of fire. Fire is known for completely shutting down the monkey of the emotional mind naturally, so in any ancient Paganism you can find a plethora of meditative practices with fire. It was originally a meditation to help clear the mind of unnecessary junk and find answers and insights. Fire can be used for insight and inspiration as it burns away all the everyday, trivial and trash and sets you up for the beautiful and brilliant. Fire helps to purify all subtle bodies of a person, astral, mental, etc. It is a universal spiritual instrument of purification and healing from all filth, as it dissolves slags and allows them to naturally flow out, taking more fluid and soft forms.
Confrontation of Good and Evil
The first to introduce good and evil into the arsenal was not an abrahamic religion – abrahamic religions have nothing of their own. They simply steal what is already there and rearrange things the way they want us to think. Evil is present in the universe, so it is present in any religion that reflects the forces of the universe. Certainly the Aryans worshipped all their Gods, as they all had the personalities of the real Gods behind them, as there are no other Gods in Paganism. But it does not mean that in myths and legends Evil was not mentioned. It was not just mentioned, it was called by its name. The ancient Iranians are the only people who officially called the jews and their abrahamic religions the Devil. Of course the Islamic bastards used this to blaspheme Satan, but in fact they are the forces of Evil that the bogatyrs of the Iranian tales fought – it is written right in their texts, where evil and darkness of mind is described not as their Ancient God Hades, but as islamized racially mixed Arabs who brought doom and islam to their country. This is no different than the Russians, in the Bogatyr Bylinas, in which the racially mixed aggressive lustful basurman (i.e. muslim) is the epitome of evil. Mozart’s opera is also tied to this, which is why I say that Mozart learned the lessons of ancient Iran well. The Shahnameh is a call to remember one’s roots, to connect energies with one’s glorious past and with one’s true Gods through heroism, Herculianism, since only heroism leads to the knowledge of true values and to true development. Many of these heroes, who existed as human beings and about whom songs are written, may now be immortal. In any case, such come to the Gods, for the Gods seek them, calling them to their paths. Heroism is the only way for the uninitiated to attract the Gods. Therefore, I believe that the messages of the true Gods have been preserved to a great extent in heroic epics, as they are intended to attract those who are not strangers to heroism by nature, and in whom there is a lot of the Pagan beginning, in order to sift them from the filth of evil and corrupt people, full of cowardice and nothingness.
Apocalyptic Zoroastrian plot completely repeats the Scandinavian Serpent Myth of Ragnarok, moreover, Scandinavia has its own fire-worship – the Cult of Loki, whose son is also the Serpent. Both there and there the Apocalypse describes the moment when the world Serpent (the Serpent of Satan) will rise from Hell (the Base Chakra) will come out for the last battle with Gods (Chakras), and when a man will pass molten metal (metals are a known allegory for Chakras, initially they are inferior, but the alchemical process ennobles them and turns them into pure gold). The fire of the Serpent will obviously be the one that melts the metals of our Chakras, and if we are not ready, crossing through the fire will mean burning in it. And this same crossing through fire is in Mozart’s opera, but there it is presented as nothing more than a neophyte’s test of spiritual fitness in a magical order, and I believe this is much closer to the truth, given the recognizability of all the allegories. “Sinner” is a code word for an imperfect unprepared person who may be killed or harmed by the premature rise of the Serpent. The prepared will be rewarded by this process.
I would now like to explain where I believe the Avesta took its allegories and characters from. This will be my opinion only, because the Religion of the Satanic Fire of the Jinn has appealed to my heart through the depths of ages, and I consider the Great Work with Fire to be a Satanic mystery, which was practiced in the territory of ancient Iran and secretly performed by its priests, and which has since been corrupted and distorted by its enemies. Ahura Mazda – both words translate as (All)Knowledge, literally the Sophia of the Gnostics. The law of Zoroastrianism, Yasna, translates as clarity, clear vision, clarity of consciousness that allows one to understand what is right and what is wrong, and this understanding dictates the law. The image of Ahura Mazda is explained by Zoroastrianism itself as the personification of pure and smokeless fire, which explicitly alludes to Iblis of the quran as the image of the Eternal Truth, as the name Satanas is translated. The fact is that in the myths of the Zoroastrians there are many different fires, more or less down-to-earth and trivial. The most non-trivial, eternal and pure of all is known as the Fire of Truth, attributed to the state of Ahura Mazda, and since the Fire and its different stages of purification are degrees of purification of the Philosopher’s Stone, and the Stone is man, these are different degrees of purification of human consciousness and various components of the human Soul, the purest and most excellent representatives of which are Jinns. Now, since Fire is also the thirst for knowledge, the pure smokeless fire, which does not greedily eat anything and therefore does not create smoke, can mean that very clairvoyance and seeing everything in the universe as it is and the essence of everything, which is the translation of the name of Ahura Mazda and as Iblis is described.
While mortals are personified by the state of Jamshid, who was abandoned by the three Hvarno (three graces, three treasures) as soon as his state was clouded by illusion (“the first lie was told”), which made him mortal. Incidentally, there is also the word Maya in ancient Iranian, which means Power, and if the translation of this word in ancient India, and that they had the same language, it also hints at the feminine aspect of the Soul in the hands of the uninitiated. The myth of Jamshid is similar to the description of mankind falling into the Base Chakra of Saturn and Earth and bringing itself to a state of prime matter, after which comes the Zahak (Dark Ages). Jamshid is the Yama, it is a literal existence in the world of death as mortals, with periodic withdrawal to the abyss of Yama.
Hvarno is another very interesting concept, with its abandonment a person leaves eternal life and divine perfection. The Avesta and Shahnameh describe the process of losing Hvarno as the loss of piety, adherence to ideals, heroism, which Jamshizh used to possess and due to which he won. As a result of the loss of the virtue of Hwarno, the world fell into darkness, and the Age of Zahhak came, but the problem, as always, was solved by a new round of heroism, the Age of Faridun. It’s a hell of a lot like the process of imprisonment and torment of Prometheus in the course of dividing the world of woes from Pandora’s Box, until the next round of heroism comes – the Age of Hercules. heroes defeat the monsters released by hapless mortals.
The battle between Spenta Mainyu and the Dragon for Hvarno, described in the Avesta, is of interest because Spenta Mainyu is presumably an allegory of a pure unclouded light mind that is confused to understand the world and truth as they are, and the Dragon is a symbol of the mind-obfuscating beginnings – the raw animal instincts and lower elements that have taken away from their master the power of the Snake immaturely awakened by him. The equality of the forces, like the beginnings of Ahriman and Ahura Mazda in the Avesta speaks of the imperfection of one without the other. These forces must be purified and subdued, not just killed, as without them there is no life. The hero subdues these forces to his will and so returns Hvarno to his people. In other words, immortality, elixirs, and spiritual development, man can only attain in heroic feats.
Further interesting is the association of Fereydun and blacksmith Kava with the images of Indo-European and Indian Gods of Thunder, Zeus and Hephaestus. The suit and hammer of the blacksmith Kova [Thor’s Hammer?] – is used on national holidays as a symbol of liberation of Kurds until now, as Zahhak for them is a half-legendary half-historical symbol of oppression and licentiousness, decay of society. I have long noticed the liberating aspect of the God Baalzebul / Indra / Perun / Thor. He is the liberator from tyranny in all peoples. And in particular, he in the form of H₂n̥gʷʰis / Perkunas patronized the Indo-Iranian version of Fereydun – Trito – just as Faridun was patronized by Kova. The Blacksmith’s hammer is the traditional symbol of Thunderer in all civilized peoples who knew the anvil – it creates calls like thunder, and, touching the anvil, they give birth to sparks like lightning. The image of the Thunderer was always accompanied by such an instrument, which gives birth to both rumbling sounds and sparks. For Perun it is a battle axe, because it gives birth to clang, and the clang of weapons was also associated with thunder. Dagda’s one is a club. In India it is the Vajra, which in buddhism is traditionally depicted only with retracted prongs, in Hinduism they are traditionally depicted loose at the ends, as a symbol that the Vajra is in motion.
“Traitaunas is a derivative (with augmentative suffix -una/-auna) of Tritas, the name of a deity or hero reflected in the Vedic Trita and the Avestan Θrita. Both names are identical to the adjective meaning “the third”, a term used of a minor deity associated with two other deities to form a triad. In the Indian Vedas, Trita is associated with thunder gods and wind gods. Trita is also called Āptya, a name that is probably cognate with Āθβiya, the name of Thraetaona’s father in the Avestā, Zoroastrian texts collated in the third century. Traitaunas may therefore be interpreted as “the great son of Tritas”. The name was borrowed from Parthian into Classical Armenian as Hrudēn. ”
“Trito is a significant figure in Proto-Indo-European mythology, representing the first warrior and acting as a culture hero. He is connected to other prominent characters, such as Manu and Yemo, and is recognized as the protagonist of the myth of the warrior function, establishing the model for all later men of arms. In the legend, Trito is offered cattle as a divine gift by celestial gods, which is later stolen by a three-headed serpent named *H₂n̥gʷʰis (‘serpent’). Despite initial defeat, Trito, fortified by an intoxicating drink and aided by the Sky-Father, or alternatively the Storm-God (Зуклцгтфы) or *H₂nḗr, ‘Man’, together they go to a cave or a mountain, and the hero overcomes the monster and returns the recovered cattle to a priest for it to be properly sacrificed.”
“Trito and H₂n̥gʷʰis
Cognates stemming from the First Warrior *Trito (‘Third’) include the Vedic Trita, the hero who recovered the stolen cattle from the serpent Vṛtrá; the Avestan Thraētona (‘son of Thrita’), who won back the abducted women from the serpent Aži Dahāka; and the Norse þriði (‘Third’), one of the names of Óðinn. Other cognates may appear in the Greek expressions trítos sōtḗr (τρίτος σωτήρ; ‘Third Saviour’), an epithet of Zeus, and tritogḗneia (τριτογήνεια; ‘Third born’ or ‘born of Zeus’), an epithet of Athena; and perhaps in the Slavic mythical hero Trojan [ru], found in Russian and Serbian legends alike.
H₂n̥gʷʰis is a reconstructed noun meaning ‘serpent’. Descendent cognates can be found in the Iranian Aži, the name of the inimical serpent, and in the Indic áhi (‘serpent’), a term used to designate the monstrous serpent Vṛtrá, both descending from Proto-Indo-Iranian *Háǰʰiš.”
May the land of Iran now hear the calls of its Gods of Thunder calling it to war against the people of Israel and to overthrow the religion of Zahhak in its territory. May she not feed the brains of her people to the jewish cannibals and may she end human sacrifices to the jewish god. And may the Smith of Kova direct her bombs as he directed the hand of Faridun.
Truth is the highest good!
– Avesta. Hymn to Ahura Mazda
Sources:
https://en.wikipedia.org/wiki/Aryaman
https://en.wikipedia.org/wiki/Airyaman
https://en.wikipedia.org/wiki/Ahriman
https://en.wikipedia.org/wiki/Ahriman#The_Worship_of_Ahriman
https://commons.wikimedia.org/wiki/File:Ahrimane_(Mythologie_pittoresque,_pl._18).jpg
https://en.wikipedia.org/wiki/Ahriman#/media/File:Leontocephaline_at_Ostia_Antica_by_Franz_Cumont.jpg
https://en.wikipedia.org/wiki/Mithraism#Lion_headed_figure
https://en.wikipedia.org/wiki/Fereydun
https://en.wikipedia.org/wiki/*Trito